HomeA&E

A&E

“Hard Corps: Uprising”

BANG: The latest game in the “Contra” series proves to be an exhilarating run-and-gun 2-D shooter.

“Drive Angry” Infuriates

VROOM: Nicolas Cage surprisingly and unfortunately doesn’t let himself go in this 3-D revenge flick.

83rd Annual Academy Awards

This Sunday, it’s time to break out the ballots and turn on your television sets. You’re invited to the “biggest movie event of the year” - that’s right, it’s the 83rd Annual Academy Awards! Hosted by James Franco and Anne Hathaway (a choice of hosts obviously meant to attract younger audiences and boost ratings), the Oscars are coming to your home so that you can witness the celebration of 2010’s cinematic year.

Art on a Grand Scale

ART: Visiting artist Chico MacMurtrie brings abstract forms to life at the Beall Center.

Who Is Arcade Fire?!

GRAMMYS: We answer America’s burning question of the week: “Who the heck is Arcade Fire?”

Sonic Youth’s Grand Experiment

SIMON: Noise-rock alchemists Sonic Youth stick to sporadic sounds on their first film soundtrack.

Too Great for Just ‘Number Four’

SCI-FI: Disney’s new action thriller will please, with a hot young cast and superb special effects.

Lady Gaga’s New Single is ‘Born’

QUEEN: Arriving in her usual dramatic style, Lady Gaga unleashed “Born This Way” at the 2011 Grammys.

A Skylit Drive: “Identity on Fire”

ELECTRONIC: The post-hardcore band enhances the listening experience of their latest album.

Not so ‘Marvel’-ous

FIGHTING: The third entry into the “Marvel vs. Capcom” franchise offers too little features and misses the mark.

The 90s Live on With Yanni

MAJESTIC: The god of epic New Age music has returned, bringing the Nineties back with him.

The Colored Museum

“The Colored Museum” premiered in 1986 under the direction of George C. Wolfe and has been brought back to passionate, captivating life by our very own Claire Trevor School of the Arts Drama Department, under the direction of Jaye Austin Williams. This play allows the audience to realize that African American slavery does not merely remain an event of the past. It’s understandable for viewers to expect “The Colored Museum” to be a heavy, dramatic performance; I was expecting to find an extended example of the interpretation of black slavery in the play. To my surprise, I laughed as many times as I gasped and grimaced during the eclectic play — “The Colored Museum” is the expression of every angle of thought and emotion, both understood and hidden, on the subject of African American oppression as well as submission into society.

News

Entertainment

Sports

Privacy Disclaimer: After submitting content for publication the New University, in print or online, contributors relinquish the right to remove or alter contributions as they appear in publication.