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“The Annie Loui Project”

A&EJun Im -
SPECIAL: Annie Loui's adaptation of a French novel deserves to be kept close and dear.

“The Dictator” Is Quite Aladeen

A&EJessica Pratt -
HILARIOUS: Sacha Baron Cohen dictates humor in his satirical sketch comedy.

“Battleship” Torpedoes Itself

A&ENoah Lee -
CACOPHONY: Hasbro's latest film venture is a mindless hodgepodge of warships, aliens and destruction.

Time to Sell My Soul to ‘Diablo’

A&EJustin Mikos -
EXORCISE: Though "Diablo III" feels too safe at times, it still proves to be immense fun.

The ‘Bloom’ of Beach House

A&ENatasha Aftandilians -
FLORAL: Beach House's fourth album is evident of a subtle evolution.

The ‘Fenix’ Rises for the D

A&ETyler Christian -
ROCK: Six years after "The Pick of Desinty," Tenacious D's "Rize of the Fenix" thoroughly entertains.

Psyched for “Psy”

A&EJustin Huft -
TRICKS: The 7 Fingers troupe performed at the Irvine Barclay Theatre to a fantastic reception.

Back to the Grave … Again

A&EJun Im -
MESSY: The film adaptation of the gothic soap opera is in a state of unforgivable disarray.

Pleasant Horrors of ‘Hornets’

A&ERyan Cady -
HORROR: As "Marble Hornets" comes to an end, a writer reflects on all that it has accomplished.

The ‘Boys’ are Quite All Right

A&EColleen Bromberger -
MUSICAL: "The Scottsboro Boys," playing at the Old Globe, is a perfect unity of critique and art.

Breathing Down the ‘Neck’

A&EMichael Chin -
CHAOS: Minor tweaks to the Silversun Pickups' sound makes them more processed, but still solid.

Keane Ventures into ‘Strangeland’

A&EJenny Lyons -
CHARMING: Keane's latest album falters a bit, but saves itself towards the end.
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