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A&E

There’s No Garbage Here

A&EJazmin Orozco -
GLORIOUS: Garbage emphatically mark their return from a seven-year hiatus with a bang.

‘Chernobyl Diaries’ Self-Destructs

A&ERyan Wallace -
NUKED: The found footage film about the post-Chernobyl incident prevents itself from being fun.

“The Annie Loui Project”

A&EJun Im -
SPECIAL: Annie Loui's adaptation of a French novel deserves to be kept close and dear.

“The Dictator” Is Quite Aladeen

A&EJessica Pratt -
HILARIOUS: Sacha Baron Cohen dictates humor in his satirical sketch comedy.

“Battleship” Torpedoes Itself

A&ENoah Lee -
CACOPHONY: Hasbro's latest film venture is a mindless hodgepodge of warships, aliens and destruction.

Time to Sell My Soul to ‘Diablo’

A&EJustin Mikos -
EXORCISE: Though "Diablo III" feels too safe at times, it still proves to be immense fun.

The ‘Bloom’ of Beach House

A&ENatasha Aftandilians -
FLORAL: Beach House's fourth album is evident of a subtle evolution.

The ‘Fenix’ Rises for the D

A&ETyler Christian -
ROCK: Six years after "The Pick of Desinty," Tenacious D's "Rize of the Fenix" thoroughly entertains.

Too Much Clarity on This Coast

A&EGregory Yee -
VAPID: While the production value improves, Best Coast's latest album suffers for it.

American Idiot Gets Grassroots

A&EColleen Bromberger -
FUTURE: Joshua Kobak of Broadway musical "American Idiot" chats about the current state of theater.

Breathing Down the ‘Neck’

A&EMichael Chin -
CHAOS: Minor tweaks to the Silversun Pickups' sound makes them more processed, but still solid.

Keane Ventures into ‘Strangeland’

A&EJenny Lyons -
CHARMING: Keane's latest album falters a bit, but saves itself towards the end.
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