Few things in life are as dependable as UC Irvine’s Vendor Fair. Every quarter, the scent of kettle corn takes over campus and with it comes the anime booth, the used book sales, the questionable clothes and unnecessary but adorable trinkets for every occasion.
When artists collaborate, what are the legal issues behind that marriage and who owns what? For a craftsperson, these questions of a legal nature may not be particularly pressing points of interest. Yet it was precisely this topic that brought lawyers, artists, professionals and professors together in a discussion called “The Legal Side of Art Collaboration.”
The pub was buzzing, half due to excitement and half due to drunkenness. At the front of the line were the regulars, people who had gotten the news first: the Anthill Pub was bringing in a cask of new beer.
Of the seemingly innumerable new bands that have burst onto the music scene over the past few years, perhaps none was as prone to the stereotypical sophomore slump as Fleet Foxes. Their self-titled debut album, released almost three years ago, generated a profuse amount of buzz and sales to match, going platinum in the UK and topping almost every notable best-of-the-year list.
Matt Summers has known what he has wanted to do since he was in elementary school – play Major League Baseball. When his career is all said and done, the 6-foot-1, 205-pound ballplayer might have to be dragged off the diamond, because he sure as hell won’t walk away.
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