In Culiacan, Mexico —a hub of the Mexican narc-trade — Jose Espinoza produces works of art for many of the areas wealthiest, and most notorious, citizens. From The Birth of Venus in the domed ceiling over a Jacuzzi to twenty-foot-tall portraits of flamenco dancers to exquisite religious imagery surrounding the graves of drug-trade casualties, his works add a classical beauty to the mansions and mausoleums begotten by the local trade in heroin and marijuana.